I was pleased with the reaction to the first episode of my film regarding sequencing. This is, after all, how photography is done: shoot, edit, sequence, and deliver in whatever fashion you choose. However, these days, it is easy to get distracted by a myriad of things that keep us from following this most basic procedure.
I wanted to expand on the idea of editorial policy and how it can impact things like editing and sequence. I no longer do assignments, so my edits and sequence are influenced only by me. Cutting a shoot from ten to five, to three, and to the single best image is something I've been doing since 1988. Several people have mentioned their struggles with this technique. All I can say is, doing so is critical to making the most of your work.