I was pleased with the reaction to the first episode of my film regarding sequencing. This is, after all, how photography is done: shoot, edit, sequence, and deliver in whatever fashion you choose. However, these days, it is easy to get distracted by a myriad of things that keep us from following this most basic procedure. I wanted to expand on the idea of editorial policy and how it can impact things like editing and sequence. I no longer do assignments, so my edits and sequence are influenced only by me. Cutting a shoot from ten to five, to three, and to the single best image is something I've been doing since 1988. Several people have mentioned their struggles with this technique. All I can say is, doing so is critical to making the most of your work.
As the first serial camera ever produced and registered in the serial number list, the no. 126 is officially the first Leica I. It marks the transition from the Leica 0 series to actual roll-out and symbolises the start of our brand story. It represents the courage to dare to innovate and the advent of modern photography. Learn more: https://leica-camera.com/history-leica-i
The new Artist Look series puts the creative DNA of renowned photographers in your hands. The first in this limited series, the Artist Look by Greg Williams — crafted in close collaboration with Greg himself — infuses your photography with his signature aesthetic.
Half the Size, Twice the Story? The concept behind our upcoming X Series camera blends innovation with nostalgia, offering a truly unique experience. See you on May 22, 2025 @5am GMT! The concept video is shot on GFX100 II Learn more about FUJIFILM X Series & GFX : https://fujifilm-x.com #fujifilm #fujifilm_xseries #gfx #fuji
To showcase the use of this compact and professional lens, Gabriel Rippe traveled to Japan and South Korea to see how it integrates into his daily content creation. Here is the story of this journey through the eyes of Gabriel and his travel companion, the XF16-55mmF2.8 R LM WR II ! https://www.fujifilm-x.com/stories/xf16-55mmf2-8-r-lm-wr-ii-gabriel-rippe-x-travel/ XF16-55mmF2.8 R LM WR II : https://fujifilm-x.com/products/lenses/xf16-55mmf28-r-lm-wr-ii/ Photographer: Gabriel Rippe YouTube: https://youtube.com/@gabrielrippe?si=WJIdynTTvgC6mW5c Instagram: @gabrielrippe TikTok: gabrielrippe Learn more about FUJIFILM X Series & GFX : https://fujifilm-x.com #fujifilm #fujifilm_xseries #xf1655mm #travel #Japan #southkorea
In this Leica Academy masterclass, Penman immerses himself in Zurich’s streets, documenting life with his Leica M11-P. His process begins the moment he arrives in a new city—capturing the first impressions before they fade. Early mornings are his favorite time to shoot, transitioning through different lighting conditions from the dark hour to the golden sunrise. Composition and storytelling play a key role in his work. He demonstrates techniques like isolating subjects, using silhouettes, and framing elements to create dynamic images. Variety is also crucial—he switches between multiple lenses (24mm, 35mm, and 75mm) to bring different perspectives to his shots.
Join my Patreon: https://www.patreon.com/AlanSchaller My latest episode explores a great technique anyone can master - slow shutter speed panning. It instantly adds energy and spice to your photos, and in the episode I explain everything you need to know about this technique, so you can try it to. Alan's Instagram - @alan_schaller Directed by Biz Thompson - @biz_thedirector
Stefan Daniel, our Vice President of Photo & Design, shares the origins of Leica’s iconic Safari editions.
I hesitated releasing this "film" because it's a bit odd and thin, but the main takeaway is to print, which is something I can't stress enough. I would describe this as a spontaneous film - a blizzard of odd moments and events, followed by a few pages being glued into my notebook. Throw in the burro races, two new Canon printers, frustration at not being in the field enough, and you get this odd little monkey of a film. I keep thinking that simpler is better. Stills and copy are what I love the most. Add in a little motion to destroy any chance at harmony, and there you have it. I kept the best photographs for later. They are not showcased in this film. There is a chance I can use them elsewhere.
