The online home of Jeremy Keith, an author and web developer living and working in Brighton, England.
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Coming home | A Working Library
While one of the reasons oft declared for using POSSE is the ability to own your content, I’m less interested in ownership than I am in context. Writing on my own site has very different affordances: I’m not typing into a little box, but writing in a text file. I’m not surrounded by other people’s thinking, but located within my own body of work. As I played with setting this up, I could immediately feel how that would change the kinds of things I would say, and it felt good. Really good. Like putting on a favorite t-shirt, or coming home to my solid, quiet house after a long time away.
Mandy’s writing positively soars and sings in this beautiful piece!
Wednesday session
Wednesday session
The web we want: A beginner’s guide to the IndieWeb · Paul Robert Lloyd
This is a terrific presentation from Paul. He gives a history lesson and then focuses on what makes the indie web such a powerful idea (hint: it’s not about specific technologies).
An Abridged History of Safari Showstoppers - Webventures
webventures.rejh.nl/blog/2024/history-of-safari-show-stoppers/
In an earlier era, startups could build on the web and, if one browser didn’t provide the features they needed, they could just recommend that their users try a better one. But that’s not possible on iOS.
I’m extremly concerned about the newest bug in iOS 18:
Whaa? That’s just shockingly dreadful!
Introducing TODS – a typographic and OpenType default stylesheet | Clagnut by Richard Rutter
This is a very handy piece of work by Rich:
The idea is to set sensible typographic defaults for use on prose (a column of text), making particular use of the font features provided by OpenType. The main principle is that it can be used as starting point for all projects, so doesn’t include design-specific aspects such as font choice, type scale or layout (including how you might like to set the line-length).
Cairo in Lawrence Of Arabia, Naboo in Attack Of The Clones, Minos’s palace in Kaos.
Cairo in Lawrence Of Arabia, Naboo in Attack Of The Clones, Minos’s palace in Kaos.
Breakfast in Seville
Breakfast in Seville
Late night indoor session
Late night indoor session
Night time outdoor session with Kíla
Night time outdoor session with Kíla
Afternoon session outdoors
Afternoon session outdoors
Kíla!
Kíla!
Evening session
Evening session
Morning session
Morning session
Evening session outdoors
Evening session outdoors
One ma-hoosive outdoor session!
One ma-hoosive outdoor session!
Afternoon session
Afternoon session
Session in the square
Session in the square
Reading 84K by Claire North.
Reading 84K by Claire North.
Seville
Seville
Going to Cáceres. brb
Going to Cáceres. brb
Going to Seville. brb
Going to Seville. brb
Living In A Lucid Dream
I love the way that Claire L. Evans writes.
Nic Chan
What an excellent personal website!
Last minute
PENGUIN SERIES DESIGN – the art of Penguin book covers
Exploring the graphic design history of Penguin books:
The covers presented on this site are all from my own collection of about 1400 Penguins, which have been chosen for the beauty or interest of their cover designs. They span the history of the company all the way back to 1935 when Penguin Books was launched.
You should go to conferences - localghost
Obviously I’m biased, but I very much agree with Sophie.
A short note on AI – Me, Robin
I hope to make something that could only exist because I made it. Something that is the one thing that it is. Not an average sentence. Not a visual approximation of other people’s work. Not a stolen concept that boils lakes and uses more electricity than anything in my household.
To remember, or to forget?
What are your own scribbles, your own ordinary plenty, not worth much to you now but that someone in the future may treasure?
Nobody wants to use any software — Character
I do not want any software
I believe that this mindset is the healthiest way to design and build things that people will use and not hate us for building. For me, it’s a way to remind myself that all humans have a whole rich, challenging life outside of the little screens I’m making for them. So that even when I’m focused on user needs and user problems, I can keep it just out of the corner of my eye: the person I’m making this for doesn’t actually want to be here, and that’s OK.
We want speedy internet and fast-loading services because we want to stop pushing buttons and opening accordions as quickly as possible.