And here’s the brand new entry for April 2022.
At the Aquazoo Düsseldorf, Easter, COVID infection, and a jam session.
I’m a freelance web developer based in Düsseldorf, Germany. I make a RSS feed reader called FeedCity. I’m also a passionate film photographer, a husband and father, a musician, metalhead, and movie fan.
And here’s the brand new entry for April 2022.
At the Aquazoo Düsseldorf, Easter, COVID infection, and a jam session.
Ups, forgot to link to the March entry of the photo journal here.
Mostly photos from my birthday party.

“Hello, I’m a Mac.” “And I’m an incest underground monster woman with supernatural strength and I will push in your eyeballs and crack your head open like a raw egg.” „Eh….hehe… Do you know iWork?“
Quite a movie. I didn‘t find it 100% convincing and it lost a bit of suspense after a while. But not a shabby horror movie. And I liked the camera work and the acting.

Re-watched and re-enjoyed this.

Well, a few scenes were funny. But this really isn’t my type of movieand I wonder what I was thinking. 🤷♂️
After contemplating about responsive images - especially for my photo journal - I had a look at my current approach and whether it makes sense to add image variants in AVIF format to the mix. And my current answer to this is “no”.

I enjoyed the general theme of this film, but somehow it didn’t reallygrab me for some reason. Maybe I was just too tired that evening.
Visually this was fantastic, though: especially those kind of specialeffects.
I should probably watch this again at some point.
With smartphones getting bigger and screen resolutions becoming ever more dense, is it still feasible to serve a whole bunch of different image sizes on a photo sharing web site?
Keen to catch up.
Flying a kite, flea market and a pizza dinner.

I found this a little kitschy at times. And the subject matter couldhave been explored more deeply in my opinion. But otherwise an enjoyablemovie with an interesting idea and good execution.

I like Carpenter-films. This one is no exception. From the atmosphere tothe soundtrack to how it’s made: all top-notch. Where it’s a bit lackingfor me, is the story itself and the action. It didn’t captivate me asmuch as his other films did. And I don’t know why that is. Maybe I wassimply a little too tired when I watched this.

Wow! That is a classic for a reason. I haven’t seen this in a very longtime and now had a blast watching this at the cinema. It’s suspenseful,shocking, well-written, well-played, well-filmed, and great specialeffects and costumes. Highly recommended!
A very short post for a change.
It’s the January post. With New Year’s leftovers and family photos.
About how my "reviews" can sometimes seem unfair, when they are really not meant to be.

This drew me in right from the start. Suspenseful, mysterious, eerielighting, menacing soundtrack. And a Jake Gyllenhaal in top form. Andall of this told in a well-paced and never boring 90 minutes. We didwatch the beginning again, right after it ended. Plus a YouTube analysisafterwards – because we can‘t say we understood this on our own on thefirst watch. But a second watch would certainly not be a waste of time,anyway.

Ok, Willem Dafoe is once again great here. And it’s an interesting and promising new take on Cast Away. And it’s sprinkled throughout with seemingly exciting hints. But then nothing really comes out of them. And that goes on for too long. But oh boy, that one bathroom scene – then cut: to dog food! Disgust-master‘s finest. And I have to live with that now.
239 new photos from the past.
A trip to Berlin. Zoe turns four. A work event. Friends turning forty. Family holiday in Italy. A band reunion of sorts. Christmas and New Year's. And the usual documentation in between.
Mutoid Man are wild: wild drumming, wild bass playing, wild guitar, wild vocals. All very skillfully played in these short and entertaining arrangements.

Good to get a refresh on this classic. I certainly did not rememberwhodunnit. Maybe a slice too much tomfoolery, but otherwise a solidslasher.

Hellraiser? Hell, yes!
Sure, the effects might partly be a bit dated; but that does not at allimpact this succession in any negative way. Even more than the firstpart, this is a truly evil film. Certainly not a horror movie forbeginners. I don‘t know why I haven‘t seen them before. I missed out!
Weekend-album.

Saw this the same night as „Dinosaurus!“ at the cinema. Much much betterproduction, though. This got introduced as a „Jaws“ in the woods. Andthis is pretty spot on – minus the class of „Jaws“ maybe. While thishas quite a few weaknesses in dialogue and plot, this was overall asolid movie – if you‘re into trashy old school horror movies that is.

It was a fun experience seeing this together with friends at the cinema.And it had scenes that reminded me of Jurassic Park and Pulp Fiction.Here and there, it certainly had its moments. But man was this oldschool. Trashy and gimmicky. And not something I am used to seeinganymore. I somehow like that I had this experience; but at the sametime, I do not need to have it again any time soon.
After watching “The Queen’s Gambit”, I got interested in chess again. I played a little bit when I was a kid, but never much or in any serious fashion. And so, recently, I created an account on Lichess.org.
Not only did Zoe learn how to ski, she also learned how to film videos while doing so.
We went on a one-week ski holiday, and Zoe was so confident by the end of it, that I had difficulties following her. ;-)
I simply picked one Darkthrone album, as I‘m not very familiar with their discography. And this one has been virtually rotating here for a couple of spins. „The Claws of Time“ is so classic Black Metal: starts with this evil tremolo-picking melody, then the vocals come in… ahhh….pure black gold!
When listening to Baroness, I tend to pick this album. Love the drumming and odd rhythms on it. Great guitar work, too, of course. „Chlorine & Wine“ is probably my favourite song of them.

I find it refreshing to watch a non-Western movie occasionally. Same with this one. Bong Joon-ho‘s humour is somewhat unique. He manages to put those funny (silly even) elements in a movie while not devaluing the serious topic he‘s dealing with. Although in this one I find the whole stupid-cops-don‘t-make-any-progress-in-the-case-play go on for too long.
I found the camera work to be great. Characters were interesting (somehow the main suspect reminded me of Paul Dano‘s role in „Prisoners“). And the ending was top, too.