There have been a few things happening recently in FeedCity land:

While this might have a little bit of shitty digital quality, I think otherwise this really holds up well and is a great entertaining zombie film. The story is great, the characters and the acting is there, the infected are menacing, the action is good. And it just has a lot of great scenes. Was again looking forward to that blood-drops-in-the-eye shot.

Haven't seen a movie from this franchise in a long time. Do I like the CGI-to-the-max? No. But otherwise, it's actually pretty entertaining with great humour. Death has once again packed a fine assortment of Rube Goldberg death machines and bloody butterfly effects.

Wie auch sein erstes Buch, mochte ich dieses zweite auch sehr gerne. Ein, zwei Kapitel waren mir etwas zu ausschweifend, aber ansonsten ein kurzweiliges Buch, das interessante Einblicke in das Leben einen Independent-Musikers gibt im Speziellen zur Corona-Pandemie-Zeit und bei gleichzeitigem Familienzuwachs.

Finally put the next date up for the Homebrew Website Club meetup. Happening in two weeks on 23.09.2025.

Yoah… the acting was quite good, and I liked the partly suspenseful editing, too. But the plot is bonkers and for this to be entertaining, it's not enough action for my tastes.

This week was another Homebrew Website Club here in Düsseldorf. Mark and Jochen came around. It was mostly chatting about IndieWeb and AI topics, but each of us also managed to get some work done on one or more of our projects.

I, for example, published a new photo journal entry. And I registered that site with a WebSub hub and send out WebSub notifications for this new post.

I’m also having fun creating these little animated AVIFs of our little group.

Molly White writes about a thing I’ve been doing for decades: Curate your own newspaper with RSS.

We’re in England. Two days ago we met Jasper and he took us on a walk along the Seven Sisters cliffs between Eastbourne and Brighton. It was great meeting in person and talk, take photos and getting rained on. And while I’m only hoarding negatives, he has photos posted to his blog.

Last Sunday, I’ve been out photographing with Florian again. Photos here and here.

Pretty perfect movie, if you ask me. The 12 more or less angry men are all so good. The whole concept of only talking about a murder case after the trial, surfacing ever more details and eliciting more of the jurors characters, was so good. Suspenseful and entertaining. A timeless classic.

This was more high-quality than I expected beforehand. Great story, great acting, great visuals, some good humour, and above all: great special effects. Those kills were really fun and well done. My favourite was the whole action in and around the restaurant. When The Blob gets bigger and bigger towards the end, the effect quality sadly suffers quite a bit, and the end itself lacked a little something. But overall, it's been a very entertaining evening!

More Converge, more betterer! Certainly one of my favourite discoveries in recent years. While I enjoy everyone here, it’s again Ben Koller’s drumming and Nate Newton’s bass playing that fascinate me most. Just listen to that groovy drum rhythm, together with the rather calm bass in “All we love we leave behind”, or this insane drum fill in “Veins and Veils” (again, with a great bass riff). Putting a ride symbol in there like this makes me absolutely addicted, and makes me happy for days.

Bandcamp

Greatly enjoyed this one. The two are just so sweet. So, I loved Woody Harrelson and Juliette Lewis here. Tommy Lee Jones was great, too. Greatly reminded me of Wild At Heart. Story and proposition is great two. Reminded me partly of Nightcrawler. And it is just overall funny and weird with wild camera work, which reminded me of Climax. But I would’ve enjoyed one more action scene like the one at the diner at the beginning.

I liked this overall. It’s a wild chase with ever more intrigues and entanglements coming to light. I especially liked Guy Pearce’s character and performance. But I couldn’t fully enjoy this on a first watch, as this was so fast paced and has this rather complex plot (watching in to me non-native English didn’t quite help, either), that I had the constant feeling of having missed something. Luckily they actually explain more and more towards the end, and I could more and more shake that feeling. Still, maybe a candidate for a second watch.

In the beginning I thought Jake Gyllenhaal’s character is pretty implausible. But then I just enjoyed his and Riz Ahmed’s performances, the pretty night scenes, the suspense and just his sheer dry ruthlessness. And the film also gives you plenty to think about.

Yesterday, me and Florian participated in a photo walk, organised by the new Fujifilm X-Den space here in Düsseldorf. One could try out their (newest) camera gear, and so I had took the chance to try the X half. Had a great time walking around the Altstadt, taking photos, and chatting with Florian, Lou and the friendly Fuji staff. → Florian’s post.

Just so much great riffing going on in this collection of fantastic songs. They have enough non-4/4-parts and tempo changes to make it interesting without making it hard to follow. There are some tasty guitar solos, too. “Drill the Skull” is my favourite, either this insanely awesome middle section.

Bandcamp

This week, the second Homebrew Website Club Düsseldorf took place. This time, 5 people attended. After a round of introducing each other including website, we once more had a good chat about a variety of IndieWeb topics. And this time, we all did some coding, too. For example, Jochen made some commits to his django-indieweb project, Mark added some rel=me links and Microformats markup, and I fixed my Atom feed’s updated date to truly show the date they have been updated (which is quite relevant for example when sending WebSub notifications).

The next HWC DUS is scheduled for July 24th.

You know the problem when you accidentally or naively committed on the main Git branch, but then you’re too far coding something that turns out to need more and more (unexpected) work, and you find yourself not able to deploy to production? Yep, happened to me today (again).

This was my entry album into Russian Circles. And it’s still my favourite, probably because of being my first. We saw them on tour back then in Auckland, NZ. And I still remember how that end part of “309” blew me away: first that drum beat, and then this thunderous bass. So heavy! And even better live.

Bandcamp

Solide Unterhaltung. Der Wald war cool, Max Giermann war cool. Der Tochter hat's gefallen. Wir haben im Kino zu viel Popcorn gefuttert.

Florian asks everyone to please add their email address to their RSS feeds. Because then, FeedCity lets you directly reply to any of that feed’s posts via email (it’s a simple mailto: link).

Of course, I want you to do this, too! It’s one of those many underutilised data from a feed that can be really useful.

One thing to note is, that FeedCity won’t show the email reply button publicly (in FeedCity, all feeds have a public page) – it’s only shown for logged in users (or “citizens” as I call them). Prevents any email harvesting bots from gathering those addresses from the site.

Ha, nice! Had a great time with this last night. Maybe I was a little too tired to follow the fast-paced plot and its twists and turns at all stages. But regardless, this was really funny, had great action, great dialogue, and the two detectives were just perfect. I especially like Ryan Goslings acting. A movie I could easily enjoy multiple times.

Wow, I haven't seen this in a long time. And I pretty much couldn't remember the second half. Enjoyed this a lot. The characters, the sets and the visuals in general, the soundtrack. The content is often questionable. It's partly gross, yet cheekily funny, but always entertaining.

The interesting thing to me when watching old classics like this, is how I discover how influential they have been. Or at least I think I do see those references in other movies. Anyway, I saw elements of Wes Anderson, Michael Haneke and Yorgos Lanthimos in there; and certainly forget a whole bunch of others.

Saw this at the Metropol, where the staff gave yet another lovely introduction to the film.

Oh, I never linked to Florian’s full gallery of Beyond Tellerrand 2025 photos. You might spot me in those!

As someone who has been using their iPad for most of their mobile computing tasks, I very much welcome all those new updates coming with iPadOS 26.

I’ve had this album on my radar already. But it needed their fantastic live gig at this year’s Rock Hard festival to remind me to give it another listen. And I missed out! Great melodies, all the instruments deserve being listened to, and above all is this great emotional voice.

Amenra does an acoustic guitar cover version of maybe my favourite Portishead song. So good! Love how the guitar is recorded and you hear all sorts of background sounds, as well as the player doing the percussion probably live while playing guitar.

Next Homebrew Website Club Düsseldorf is happening!