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Ming Thein | Photographer

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reframing the world one picture at a time

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• Ming Thein

Full circle

1/11/20: Final update to the recommended gear list Almost 20 years ago to the day, a teenager made an unwise camera choice* to record what he was experiencing in case he might later forget. In reality, the choice was really to consciously notice the world around him and single out the bits that mattered – […]

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Photoessay: Patchwork

Presenting today a mixed bag of wimmelbild (fittingly, some of which is actually from Germany) and general urban patchwork accumulated over centuries – and in some cases, quite possibly millennia. There is something about seeing the evolution of a city in a single place that speaks volumes to the traditions and values of a society. The […]

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Photoessay: Ambiguity, part II

Whilst the previous post was all about ambiguity in groups, crowds or simply physically larger and visually more dense situations, with the barest hint of narrative (if any) dictated by gross body language – this set focuses more closely on couples or a single individual, thus leaving more room for expression and gesture. It is […]

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Photoessay: Ambiguity, part I

I make no claims to have any idea what any of these people are doing – and judging from how some of them look in certain locations, I suspect neither do they themselves. But that’s okay, because it makes for the kind of open-ended storytelling photography that allows us to fit our own narrative to […]

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Photoessay: Fondazione Prada

I’ll be the last person to pretend to understand the modern art housed within, but the architecture at Fondazione Prada was spectacular – partially rejuvenated, partially new buildings by Rem Koolhaas, and a very sensitive mix of hypermodern and classical Italian. The historical references to arches, stucco and what I think of as typically Italian […]

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What is creativity?

“Creativity” is a term we hear increasingly thrown around and applied to things that perhaps are both not obvious immediate recipients, and simultaneously perhaps the most needing of such treatment. Ask any non-creative person what they think it means, and immediately unstructure, randomness and perhaps some whimsy come to mind. If you ask a creative […]

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Photoessay: Museo Alfa, part III

Continued from parts I and II In the early days, there really wasn’t that much difference between the race cars and the road cars; often one and the same would be seen at Monza, Le Mans or Spa or the other endurance road courses. The predecessor to Formula One differed a little since those were […]

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Photoessay: Museo Alfa, part II

Continued from part I I think of this set as being full of very distinctive details of a particular era – yet there is crossover and overlap and transition between them. Even though the continuity is present, there’s a very clear looping back to the historical cars after the late 80s/ early 90s – at […]

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• Ming Thein

Photoessay: Museo Alfa, part I

I had the opportunity to spend a day photographing the cars at the Museo Storico Alfa Romeo just outside Milan. It wasn’t just the famous cars that were interesting – there you already sort of knew what to expect, so it was more a case of finding interesting angles. The real treasures were the ones […]

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Photographic maturity

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_Z734126 copy

I am immature enough to know that a giant farting cloud elephant is not that interesting to most people and of zero photographic merit other than it exists and was captured in its transience; but I am mature enough to know that I like a window seat on an airplane because looking out helps pass […]