RJD2 has been making music since 2002. His song "A Beautiful Mine" was turned into the opening credits music for Mad Men. He's a producer and beatmaker, but also a singer and songwriter. But for the vocals on the song "Games You Can Win," he tapped Kenna, a Grammy-nominee whom Malcolm Gladwell wrote about in Blink. In this episode, you’ll get to hear the parts that make up the track, as well as the unreleased demo vocals that RJ originally recorded himself.

In an interview with Belgian filmmakers the Dardenne brothers, talking about the kinds of stories they tell, Luc Dardenne says, "Human suffering; that interests us very much." It also interests Tom Krell, a songwriter and producer who goes by the name How to Dress Well. After seeing one of the Dardenne brothers films, The Kid with a Bike, he was inspired to make the song "Pour Cyril." In this episode, he'll dig deep into that where that inspiration led him, from transformations within the song, to within the film, and within himself.

Casey Dienel is a producer, singer, and songwriter who goes by the name White Hinterland. In this episode, she'll break down her song Ring the Bell. To make it, she had to break out of her comfort zone of working alone and reach to other people. She got a little unexpected help from Beyonce.

In 2013, Warpaint starting working on their sophomore album. They retreated away from their home in Los Angeles to the nearby desert oasis of Joshua Tree, California. There, they wrote the song "Love Is to Die," and it was decided that it would be the single from the record. Now, with over 6 million plays on Spotify and nearly 3 million more on YouTube, "Love Is to Die" is by some measures their most popular song. Designating it as the single was a decision that was easy to make early on, but it was also carried unforeseen consequences for the band. In this episode, three of the four members break down the sounds in the song, and weigh in on some of the difficulty they faced getting this track from the initial idea to the finished recording.

In 2005, Nickelodeon premiered an animated series called Avatar: The Last Airbender, about a young boy and his friends who have to keep peace and balance in the world. It combined fantasy and martial arts, and ran for four seasons, won an Emmy and a Peabody, and in 2012, spaw...

On February 1, 2003, the Space Shuttle Columbia broke apart while reentering the earth's atmosphere. John Roderick, singer and songwriter of The Long Winters, wrote "The Commander Thinks Aloud" about that fateful moment. This episode was made from an interview I did with John Roderick in front of a live audience in Seattle, where we discussed how and why he made this song.

The band Blonde Redhead formed in 1993. Twenty-one years later, in 2014, the trio released their 9th album, and in this episode, they deconstruct Penultimo, a song from that record that caused some dissent between the band members. At the heart of the controversy was the Pitchfactor effect pedal by Eventide, a harmonizer that does a lot, or maybe too much. Coming up, you'll hear how tricky it was to begin this song, as well as finish it.

In November 2014, Ghostface Killah of the Wu-Tang Clan released his 11th album, called 36 Seasons. A lot of people worked on it: soul band The Revelations served as a kind of house backing band for the whole thing. Lil' Fame from M.O.P. and engineer Daniel Schlett helped prod...

The National formed in 1999. They've released six albums, and have been nominated for a grammy. Their music is everywhere from Game of Thrones, to Bob's Burgers, to Barack Obama's presidential campaign. In 2013 they released their sixth album, Trouble Will Find Me, which deb...

Tycho is the project of designer-turned-musician Scott Hansen, along with guitarist Zac Brown and drummer Rory O'Connor. For this episode, which was recorded in front of a live audience in San Francisco, Scott breaks down the title track from the 2014 Tycho album Awake, including a note he misplayed, and a vocal part you aren't really supposed to know about.

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Stars is a band from Toronto, who have been making music together since 2000. Their seventh album was released in October 2014. For this episode, I spoke to several members of the band: singer Amy Millan over the phone, and to Evan and Patty in their studio in Toronto along with their co-producer Liam O’Neil. In this episode, they talk about the inspiration for the phrase No One Is Lost, which is the title of this song as well as the album. And you’ll hear the original version of the chorus: one that they wrote, recorded, mixed, and finished but then, ended up changing completely.

Before The Books broke up, they released four albums that combined composed music and found sounds. In this episode, Nick Zammuto explains how he crafted the song Smells Like Content, off of their 2005 album Lost and Safe, out of unlikely sources, like geometry, chance encounters, and a corrugated PVC pipe.

Julia Holter studied composition, and in the song Horns Surrounding Me, she arranges not only acoustic and electronic instruments, but also layers of ambient field recordings and background noise. The song was released in 2013 on her acclaimed album Loud City Song. In this episode, Julia deconstructs the recording, and talks about what she did to evoke a feeling of fear in both the music and the way she sang, changing her voice on different parts of the song to create character and texture.

Dave Hill is a comedian and host of his own podcast which, like Song Exploder, is on the Maximum Fun network. He's also the frontman of the band Valley Lodge. In this episode, Dave will deconstruct the Valley Lodge song Go, which you might recognize as the opening credits of the HBO show Last Week Tonight with John Oliver. This is a special episode produced for MaxFunWeek, seven days of celebrating the community of listeners and shows that make up the Maximum Fun podcast network.

Andre Allen Anjos is better known as RAC, a musician who first found success by remixing other people's songs. His remixes for artists like Lana Del Rey have gotten millions of plays online. In 2013, RAC released Strangers, his first album of original material, and in this episode, he breaks down the song Let Go from that record. It features guest vocals from Kele, best known as the frontman of the band Bloc Party, and singer MNDR, who also talks about her experience working on the track.

The Thermals originally began as Hutch Harris's solo recording project. He sang and played all the instruments on the 2003 Thermals record More Parts Per Million. In this episode, Hutch breaks down his lo-fi recording of the song No Culture Icons. The track was later mixed by Chris Walla, who's known best for his work with Death Cab for Cutie, and we’ll hear some thoughts from him as well. I spoke with Hutch in front of a live audience at the XOXO Festival in Portland, Oregon.

In addition to guitars, drums, and bass, the band Anamanaguchi makes their music with the 8-bit sounds that were built into Nintendo video game consoles made in the 1980s. They use software called a tracker to meticulously sequence and produce those sounds. Most of their music is instrumental, but in this episode, they break down one of the first times they’ve incorporated vocals, for the song Prom Night, which features singer Bianca Raquel. Prom Night is from their most recent album, Endless Fantasy, which debuted at #1 on Billboard’s Heatseekers chart when it came out in 2013. 

Spoon was formed in 1993 by singer Britt Daniel and drummer Jim Eno. They've released eight albums, including their most recent record, They Want My Soul, which came out in August 2014. In this episode, Jim Eno breaks down the song Inside Out, explaining how it went from the original demo to the finished album version, including what other music influenced the recording. Plus, we'll hear from their co-producer, Dave Fridmann, whose other credits include The Flaming Lips album The Soft Bulletin, and Oracular Spectacular by MGMT.

In May 2014, the video game company Ubisoft released Watch Dogs, about a vigilante hacker in Chicago in the near future. Here's how the game is described on their website: "You play as Aiden Pearce, a brilliant hacker and former thug, whose criminal past led to a violent fami...

In this episode, rapper Open Mike Eagle talks about making the song Dark Comedy Morning Show, along with the track's producer, Walker Ashby, aka Toy Light. Mike breaks down how Toy Light's original instrumental version of this song inspired him, and how his view of his own vocals on the track has changed since recording them. 

In the fall of 2001, Phil Elverum released the album The Glow Pt 2 on K Records. Pitchfork named it the best album of the year. In this episode, Phil recounts how he created the first song on the record at Dub Narcotic Studio. He spoke with me from his home in Anacortes, Washington, about his love of being alone in the studio, evoking nature through music, and where the name The Microphones came from. Plus a few words from Calvin Johnson, the founder of K Records. This episode is presented in conjunction with The Creators Project. 

 

The band Converge formed in 1990, when its members were teenagers. They've been making music that lives somewhere in the intersection of punk, hardcore, and metal for almost 25 years. Guitarist Kurt Ballou spoke to me from his studio GodCity, which is where Converge writes and records. I also spoke over the phone with singer Jake Bannon. Coming up, they'll talk about how the physical space of GodCity influenced their songwriting, how the Boston hardcore scene gave them a home, and how to get the classic Swedish death metal guitar tone.

In this episode, we'll get a deconstructed view of the song One Second of Love by Nite Jewel. I spoke to Ramona Gonzalez of Nite Jewel and her partner and producer Cole MGN in their home studio in Los Angeles as they took a break from making a new record. Coming up, they'll talk about the process they undertook, including recording to tape as a creative restriction, and collaborating with their friends and each other.

The band Garbage formed in 1994 when three guys from Madison Wisconsin — Butch Vig, Steve Marker, and Duke Erikson, met Scottish singer Shirley Manson. Twenty years later, they've sold over 17 million records worldwide. In this episode, we'll get a view inside their 2012 song "Felt" from the album "Not Your Kind of People." Butch Vig, who is also a legendary producer behind some of the most influential albums of all time like Nevermind by Nirvana, Siamese Dream by Smashing Pumpkins, Dirty by Sonic Youth, and countless others, spoke to me from his home studio in Los Angeles. I also interviewed Shirley Manson separately to get her insight on how the song was made. Plus some thoughts from their longtime engineer and now co-producer Billy Bush.

Ryan Olson is a member of the band Polica. Though he doesn't perform with them live, he put the band together, produces the songs, and co-writes them. I interviewed Ryan in his bedroom studio in Minneapolis. In this episode, he breaks down the song Smug, from their 2013 album Shulamith. He also talks about two pieces of equipment that have helped shape the sound of Poliça, and how he was introduced to one of them by Justin Vernon of Bon Iver, and the other by DJ Shadow.

Loren Bouchard is the creator of the animated television comedy Bob's Burgers, a series about a family and the restaurant they own and live above, currently in its fourth season on Fox. In addition to being the co-executive producer and showrunner, Loren also composed the show's opening theme. I interviewed Loren in his office, where his desk is surrounded by musical instruments. In this episode, he talks about which ones went into the theme, and the emotions he wanted to evoke with each of them. Plus a few thoughts from cast members Jon Benjamin and Eugene Mirman.

Composer Jeff Beal deconstructs the main title theme music to the Netflix original series House of Cards. The show has been nominated for multiple Emmy Awards, including Outstanding Original Main Title Theme and Outstanding Music Composition. The show was adapted from a British series of the same name by writer Beau Willimon, and director and executive producer David Fincher. Jeff talks about his collaborative process with Fincher, and how they found the mood and musical palette for the show and its theme, and how it changed from season one to season two. A word of warning: if you haven’t watched the first season, there are spoilers about how that season ends.

Alfred Darlington, better known as Daedelus, takes apart his song Experience. This early track of his is made with only acoustic sounds, but Alfred still considers it a piece of electronic music, and explains why. He also talks about the unexpected life the song has had since he recorded it, after being sampled by Madlib for his collaboration with MF Doom, Madvillain. Experience became the beat for Madvillain’s Accordion, the first song on their highly acclaimed album, and later referenced and resampled by artists like Drake and Kitty (aka Kitty Pryde). Daedelus deconstructs the song and discusses what its legacy means to him.

Alex Brown Church of Sea Wolf breaks down Kasper, a song from the album Old World Romance. He talks about his songwriting process, collaborating with his bandmates, and the evolution that comes with learning the difference between making something that's good, and making something that's perfect. 

Will Wiesenfeld of Baths breaks down his song Miasma Sky, which came out last year on his highly-praised sophomore album Obsidian. Will talks about using the computer to intentionally destroy sounds, trying to find a balance in his music between simplicity and complexity, and what went into making his drum tracks.