
Finally, I have seen this movie! And what a treat! Everything’s greatabout it: plot, costumes, sound, acting, sets. And the special effects!And it’s scary as hell – as it should be for a horror film. Lookingforward to part 2!
Feeds from people participating in the IndieWebCamp Düsseldorf, April 2026.

Finally, I have seen this movie! And what a treat! Everything’s greatabout it: plot, costumes, sound, acting, sets. And the special effects!And it’s scary as hell – as it should be for a horror film. Lookingforward to part 2!

Wow, we made it through this whole series. And it didn’t end on a high note. This was trash. And I could enjoy some of it. For example, I liked that Jason was this brutal force that just kills. Or the cliché nudity. Or the sometimes quirky charming dialogue. And the scene where he beats the one girl in the sleeping bag with another is just hilarious. But oh man, this was long, the set design was terrible (reminded me of American Gladiators in a lot of scenes), and the characters and the plot: puh. And don’t get me started on wardrobe or props. It was cheesy, too. Anyhow, it is what it is. And this over-the-top rendition is a fitting finale for this series IMO. And it’s good, it’s over now. May Jason rest in peace.

Lovingly made: great lighting, fantastic choreography, great acting andmuch more. But overall unfortunately the plot seemed senseless andinconsequential to me, which made me care less and less as the filmprogressed. Had good things, but I’d rather watch a Wes Andersson movie.
Matthias Ott
• Matthias Ott
Matthias Ott
• Matthias Ott
Matthias Ott
• Matthias Ott
Matthias Ott
• Matthias Ott
Matthias Ott
• Matthias Ott

Some aspects were totally fine in this, but ultimately this wasn‘t mykind of movie.

A bloody healthy and funny dose of New Zealand for me.
Matthias Ott
• Matthias Ott
Matthias Ott
• Matthias Ott
Matthias Ott
• Matthias Ott
Matthias Ott
• Matthias Ott
Matthias Ott
• Matthias Ott
I have a tip for everyone who’s now – or very soon – trying to find out whether a text was written by a human or an AI.
Sure, you could train another AI to look for clues and confidently call it a “classifier”. But chances are, your classifier won’t be fully reliable. It might not work on short texts. Or, it might incorrectly but confidently label AI-written text as human-written. Also, people will sure as hell edit AI-written text so that it can’t be detected anymore.
Given that you have no idea how those algorithms really work, you might as well just use the classifier written by the same company that is currently gifting you the gift of AI for free. Sounds really reassuring, right?
Instead, how about you try this:
Look for the soul.

I would watch this again; to see if I notice some more subtle clues earlier and pay more attention to the individual chapters on their own. The storyline is so well done: it progressively changes the impression you have or had of both Phil and Peter. And in the end I didn‘t know how to feel about any of them really – pity or aversion or simply empathy.
A great film about men and their hardships/obstacles/difficulties they faced and how those manifested themselves in their behaviour and characters in very different ways.
Jochen Wersdörfer Usually, I use pip -e ../package-directory to install an editable version of a package I use in a different project. Usually I use this method to track a bug or develop a new feature. Some time ago I switched to using flit to build my packages because it supports putting all the configuration in pyproject.toml and is not poetry. Today I had to learn that for a django-packages built with flit but then installed with pip -e the Django template lookup is broken. Using flit install -s works fine though.