Feeds from people participating at the IndieWebCamp Düsseldorf, May 2025.
Matthias Ott
• Matthias Ott
Damn! This film!
I bought clicky switches for my Planck (Kailh Box Blue‘s). And new keycaps, too.
This is very much a film for grown-ups. Enjoyed the avalanche ofconversations and happenings triggered by that one incident. It‘s attimes very subtle and overall well written. Maybe the ending bit was alittle forced. But other than that, I can recommend this!
I’m pretty obsessed with this song. And something with delay is usually very fun to play!
The last month has been unusually concert-heavy. I saw
Wow! This had it all! In 1968! Slow zombies (or „ghouls“), and lot‘s of them that then do indeed get dangerous, TV and radio broadcasts about the outbreaks, flesh- and gut-eating, a child zombie slaughtering and feasting on its parents, conflicts between the living, boarded doors and windows, zombie hands reaching in, stuffed animal heads, power outage, eerie lighting, an escape mission gone wrong, and a mean end etc etc. Sure, it also has some shortcomings, but overall I was left super-impressed with this one. Was way ahead of its time!
Saw the restored 4k version at the Metropol. It looked fantastic!
Woah, ok. It‘s all fun and games until that plot twist. And then it hits you straight in the guts. So this is not a film I can recommend for some light entertainment evening, but I think it‘s absolutely worth a watch, as it has such a gripping story, great acting and is masterfully filmed and edited IMHO.
Matthias Ott
• Matthias Ott
Although a little constructed, the idea for the story is actually notthat bad. But the execution is too long, unsuspenseful, mostlyrelatively boring, and – once again – full of clichés. Sorry, Jason.
This is a very silly British rom-com in which a new couple go on their first camping and sightseeing trip together and he introduces her to his quirky hobby; she finds interest in it, quickly gets better than him at it - leaving him devastated. This entertained me well.
So I’m left with the pictures of a broken foot, a split lower arm and an endless series of ass-births. Puh! That was totally over-done for me. “Oh c’mon, it’s enough now”, is what I thought during the ending. If this wanted to be shocking, it achieved that! But I found it just wanted to be shocking without real substance. It detracted from the – actually pretty straight forward – message. But maybe I didn’t get all the symbolism and it was all so much deeper. This was scary, though, I give it that. And I liked quite a few other elements as well. But that extreme ending spoiled this for me somehow.
“This is beautiful music”, said my daughter the other day (I absolutely agree!). It has been difficult for the other people in this household to escape this album, as I have been listening to this all week.
Matthias Ott
• Matthias Ott
Matthias Ott
• Matthias Ott
I very much appreciate that people made a movie like this with all itsold-school costumes and effects. And this part really works and is whythe trailer immediately appealed to me. But ultimately andunfortunately, this is a lot of silly nonsense that even makes its justabout 70 minutes runtime seem long.
This film is an audio-visual delicacy. If you’re into Metal, you are not only my friend, but I’m sure, you too will enjoy this – if purely on the visual level. But it’s hard to not dig the soundtrack, either. I would guess this is great on drugs. Or unbearably terrifying.
A lot of scenes are reminiscent of David Lynch’s style. The story however is not: it is very straight forward, which I found surprising given all the wild trippy visuals.
The acting is overall great, and I indeed enjoyed Nic Cage’s performance a lot. The action and fight scenes are great, too. It’s funny, but also serious. However, there’s no focus on the latter, I’d say.
It’s certainly a unique experience. And one I could experience again!
(Oh my god, the Cheddar Gobblin!!!)
This is quite the spectacle! A beautiful, violent, serious, funny, well choreographed and well acted “me too” middle-age spectacle. The three different perspectives of the same plot is the kind of thing I really enjoy. No exception here. The only thing we found irritating occasionally was the language: both the actors’ accents as well as the words seemed way too modern. But that shouldn’t stop one from enjoying this a whole lot!
Matthias Ott
• Matthias Ott
