
Finally, I have seen this movie! And what a treat! Everythingâs greatabout it: plot, costumes, sound, acting, sets. And the special effects!And itâs scary as hell â as it should be for a horror film. Lookingforward to part 2!

Finally, I have seen this movie! And what a treat! Everythingâs greatabout it: plot, costumes, sound, acting, sets. And the special effects!And itâs scary as hell â as it should be for a horror film. Lookingforward to part 2!

Wow, we made it through this whole series. And it didnât end on a high note. This was trash. And I could enjoy some of it. For example, I liked that Jason was this brutal force that just kills. Or the clichĂŠ nudity. Or the sometimes quirky charming dialogue. And the scene where he beats the one girl in the sleeping bag with another is just hilarious. But oh man, this was long, the set design was terrible (reminded me of American Gladiators in a lot of scenes), and the characters and the plot: puh. And donât get me started on wardrobe or props. It was cheesy, too. Anyhow, it is what it is. And this over-the-top rendition is a fitting finale for this series IMO. And itâs good, itâs over now. May Jason rest in peace.

Lovingly made: great lighting, fantastic choreography, great acting andmuch more. But overall unfortunately the plot seemed senseless andinconsequential to me, which made me care less and less as the filmprogressed. Had good things, but Iâd rather watch a Wes Andersson movie.
When Danny Gregory spoke at my beyond tellerrand event in Berlin in 2016, he was telling me about his idea to start Sketchbook Skool. Lovely to see it growing and lovely to se their videos.
This one is about why you should âLove your sketchbook letteringâ.
You changed your mind? You lettering can show how your mind has changed.

Some aspects were totally fine in this, but ultimately this wasnât mykind of movie.

A bloody healthy and funny dose of New Zealand for me.
Those who follow me on Instagram might have seen pictures and I already also told you about the Wonderwalls Exhibition in DĂźsseldorf. This week it is the last chance to visit the exhibition â and you should do so.

After this week the exhibition of Selim Varol, who was a guest in my German Podcast neuâ˘gierig, is closing its doors. I have been there a couple of times and it always takes me back into my childhood and youth.
I myself am taking my kids to Wonderwalls in the NRW Forum DĂźsseldorf today (sadly my oldest daughter isnât here today) and visit it one last time, before it comes to an end on Saturday. If you go, maybe you are lucky and Selim is doing one of his tours, which makes it even more special.
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I would watch this again; to see if I notice some more subtle clues earlier and pay more attention to the individual chapters on their own. The storyline is so well done: it progressively changes the impression you have or had of both Phil and Peter. And in the end I didnât know how to feel about any of them really â pity or aversion or simply empathy.
A great film about men and their hardships/obstacles/difficulties they faced and how those manifested themselves in their behaviour and characters in very different ways.
Reply via EmailLanguage connects us. Language connects one heart and mind to another mind and heart. Through space and time. Language transports meaning between minds, sense between bodies, it can make us understand each other and ourselves. It can make us feel what others feel. Language is a bridge.

I donât want to focus too much on the negative, but this film didnâtstir up much excitement in me. Maybe just because it looked dated (and alittle bit like a 90âs commercial). Maybe because I thought it onlyscratched the surface of what it could have been. Maybe because I wasreminded that I personally donât like Robin Williamâs acting all thatmuch.
Anyhow, itâs an ok movie. I liked the directly photography-relatedscenes and the monologues or rather the protagonistâs thoughts onphotography.
I bet this is a version where Craig Hockenberry had people revising a lot already. Still you can hear the frustration of him, when he has written the blog post.
Thereâs no sense in clinging to the personal whims of a clown leading a shit show. Especially when his circus will end up being a $44 billion version of MySpace.
As I have written earlier last week, I canât imagine how the people behind Twitterrific or Tweetbot must feel, after Twitter, without notice, cut off everything â well, a little bit as the pandemic was for me and beyond tellerrand, what Musk is for them.
This, plus the massive amount of layoffs makes me think a lot these days. And I am sorry for all the people who are affected.
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I wish this was longer.

What happened? I watched a series?! I guess I can handle 7 episodes. Andthis was really good! Loved all the characters, especially Beth Harmonâsand her adoptive motherâs. The plot was great, too. It was very wellacted; I thought all the facial expressions during the matched werefantastic. The film sets looked lovely (the CGI not so much, though),and a lot of piano music meant I enjoyed the soundtrack, too! It was abit long in the middle, but otherwise this was a very enjoyable watch!Iâm kind of interested in chess now.
Nice post by Ahmad Shadeed once more. This time about conditional CSS.
Reply via EmailI like to think of CSS as a conditional design language. Over the years, CSS was known as a way to style web pages. Now, however, CSS has evolved a lot to the point you can see conditional rules. The interesting bit is that those CSS rules arenât direct (i.e: there is still no if/else in CSS), but the way features in CSS work is conditional.[âŚ]