Ein Paar aus Ratingen lebt und reist seit 5 Jahren im Wohnmobil. Gute Idee, wie ich finde!
Noch vor fĂŒnf Jahren fĂŒhrten Diana Knigge und Phillip Alexander Schubert, beide Mitte 40, ein Leben im sogenannten Wohlstand: eigenes CafĂ©, schickes Auto und...
Playing Robin Trowerâs âBridge of Sighsâ on guitar. Itâs a bit improvised, though. Of course, I first got to know this song via the great cover version from Opeth.
And still figuring this video stuff out. This time, itâs filmed with my iPhoneâs back camera and shared in 1080p with 60fps.
Update: Settings.
Iâm mainly in love with the sound of this album. But itâs also an easy album to like musically: well-done good old old-school Swedish death metal Ă la Dismember and Entombed. Just listen to âFuneral Anthemâ to get a rotten taste!
Also: how can one not love that cover artwork?
Suspenseful and overall well done. Certainly had parallels to Blue Ruin. But the latter was better.
This is a beautifully made book with great photos and inspiring approaches on how and where to live.
Unfortunately, though, I found this too superficial. Maybe thatâs fair enough, since itâs actually more of a photo book than a âbookâ book. But I was hoping a little more for stories about what itâs like and what it really means to live off grid in these housings. So, in this regard it was a little disappointing.
But this reminds me to check Fosterâs blog again, which I remember to be more insightful1.
⊠but which I havenât followed in recent years, because the RSS feed was and still is broken. And which â sadly â is (by far) not an isolated case for RSS feeds. Iâm sorry for this brief appendix rant about the state of RSS⊠â©
This was a whole lot of fun! Unrealistic, nonsensical, and over-the-top fun. A bit too self-indulgent (for Tarantino), and partly because of that a little bit too long. But overall dialogues, filming and the action were great! That car crash and the final car chase were simply spectacular.
For some reason, I was listening to this last Sunday. I havenât listened to Deicide in years. But it remained in rotation.
Itâs Easter after all.
This was ok. It was mainly interesting because of how it was âfilmedâ: completely through computer UI. And it was suspenseful. But in the end story didnât make a whole lot of sense.
I still wish more people/bands/utilities/companies/restaurants had RSS feeds, so this wouldnât even be necessary.
Oh, sweet: NetNewsWire â my RSS reader of choice â added the ability to subscribe to Twitter timelines.
I recently came across their remarkable videos again. While a while back I mostly listened to their debut and âMurder the Mountainsâ, this time Iâm givinâ their latest output a few spins. And I am not disappointed!
Videos are now served via HTTPS. This fixes playback in Google Chrome. For now, I uploaded a manually generated Letâs Encrypt certificate to my HostEurope webspace for that subdomain. So now, videos should finally be working for most people!
Gestern auf die âHeavy Metalâ-Playlist von Amazon Music gestoĂen. Als erstes kommt Iron Maiden, dann Metallica, und danach â natĂŒrlich â als drittes â ganz klar â gleiche Liga! â âŠ
⊠Guano Apes! đ€·ââïž
Argh! I didnât know Chrome doesnât allow mixed content (HTTPS + HTTP) anymore. So, I should get SSL sorted for my newly created videos.danielpietzsch.com subdomain.
Update: Sorted!
Das Kind hat woanders ĂŒbernachtet. Endlich mal wieder in Ruhe Sonntagmorgens im Wohnzimmer Death Metal hören.
I think Part 3 was a great movie. The story probably wasnât as enthralling as in the other two, so I think I agree with most critics itâs the least favourite film of the trilogy. But the whole opera bit at the end, that scream (!), and the end scene were very much worth it.
This was trying too hard being bizarre. Itâs tricky to make a bizarre movie. And in this case it didnât do it for me. I think it also wanted to be funny. I didnât agree very often (and the jokes sometimes went too far for me). Great cast, though.
How I now host video files outside of GitLab Pages
